Steve Cropper, the celebrated guitarist with the seminal soul group Booker T & the MGs, has died at the age of 84.
The artist, who performed on and co-wrote Otis Redding's Sittin' On the Dock of the Bay and the hit track In the Midnight Hour, died this past Wednesday in the city of Nashville.
Often cited among the best backing bands in the history of soul music, the quartet the MGs was the resident studio band of the groundbreaking Memphis label Stax and is primarily known for their 1962 track Green Onions.
Cropper went on to join the John Belushi-Dan Aykroyd act The Blues Brothers in the late '70s and featured on their successful version of Soul Man.
"Steve was a beloved artist, writer, and producer whose immense talent impacted millions of lives around the world," his family said in a release.
"While we grieve the loss of a husband, father, and friend, we find comfort knowing that Steve will live forever through his music," they continued.
A reason for his passing was not released at this time.
A colleague, Eddie Gore, stated he was with Cropper on Tuesday in Nashville, where the guitarist was in the process of creating new songs.
"He's such a wonderful human," Gore remarked. "We were blessed to have him, for sure."
Ranked the number two guitarist of all time by a music periodical in 1996, Cropper first found employment at Stax in 1961 at the age of 20.
A year later, the MGs were formed, featuring keyboardist Booker T Jones, drummer Al Jackson and bassist Lewie Steinberg - who was succeeded by Donald "Duck" Dunn in 1964.
The band was entered into the Rock and Roll Hall of Fame in 1992.
"I've always seen myself as a rhythm guitarist," Cropper explained in a past interview. "I enjoy the fact that I can play something repeatedly, while other guitar players avoid that approach. They are reluctant to repeat the same riff twice."
Not only was he a guitarist, Cropper was a productive songwriter, and in addition to Dock of the Bay and In the Midnight Hour, he helped write Eddie Floyd's hit Knock on Wood.
According to available information, he was "integral to virtually every record put out by Stax from late 1961 through 1970".
"We would truly spend 15 hours a day in the studio," Cropper once recalled. "I think we had nearly 20 artists signed to the label, so we had a extremely demanding schedule."
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